Three different types of workshops are offered,
as follows:
Traditional plein air workshops (all levels of student welcome)
Advanced/mentoring plein air workshops (intermediate-advanced students
or professionals only)
Painting Retreats (intermediate-advanced students or professionals)
Each week features a different workshop. Please
see the schedule.
Workshops are scheduled so that students can attend multiple workshops that
are in a natural progression - basic to advanced to mentoring. You are invited
to take more than one week! Some students have done so and have really grown
in their work.
Traditional
Plein Air Workshop
All levels
of student are welcome, from beginner to advanced. Students may work in pastel
or oil or other medium by arrangement. They can expect daily lectures and
demonstrations on the basics plus personal help at the easel. Because painting outdoors has its own challenges, students should have taken at least one studio class in their chosen medium and be familiar with it and also their equipment.
A typical day starts with about an hour in the morning for critiques, lecture and answering questions; then to the field to do a short demo on the process (although Michael may flip that on the third day and let students paint first); followed by student painting time with Michael going to each easel in turn and offering help and answering questions. Michael may also paint, too, time permitting, and students are welcome to follow along or watch as an additional demo.
Advanced/Mentoring
Workshop
This workshop
is only for intermediate to advanced students or professionals. Students are
expected to be comfortable with painting outdoors and their chosen medium.
Students may work in any medium, but Michael will work in oil or pastel.
In the
advanced/mentoring workshop, you'll have the chance to learn the finer elements of
painting, information that usually isn't handled in a regular workshop. But
it's not just about advanced instruction. It's an opportunity for the
serious painter to address issues that are bigger than mere craft.
As you work shoulder-to-shoulder with an experienced professional, you may:
Give
your art a mid-course correction
Create an action plan for the future
Define where your career is headed
Or, if
you just want to paint with a "guide" without reevaluating your
life, you can do that, too! You can consider it a painting holiday or artist
retreat, or just a time to paint without instruction and to meet other artists.
Students wishing to take the advanced/mentoring week should come prepared with a list of issues that they would like addressed, especially if they desire mentoring. When the group goes into the field, Michael will paint, and students can watch and treat it as a demo; or they can paint along or on their own. A typical day starts with critiques and optional lecture, followed by painting time and consultation by request.
An optional advanced topic is also available for your week. This season's topic is "Design & Color." If you'd like to add this to your week, let us know. The Design & Color option is a focus on getting better designs when in the field and also working with different color palettes (limited, more harmonious, etc.) It will consist of some exercises we can do in the field.
Mentoring
originated from Greek mythology, in which Mentor was a wise and trusted advisor
to Odysseus. Under Mentor's direction and guidance, Telemachus, the
son of Odysseus, became a much-loved ruler. Today, a mentor is an advisor
and supporter, and perhaps even a friend and role model, of someone pursuing
specific goals.
Because
people have different goals and life experiences, mentoring isn't a science.
Instead, it requires the mentor to carefully assess each case and to respond
accordingly and effectively.
Painting Retreat
This
program is only for intermediate to advanced painters or professionals. Participants
are expected to be comfortable with painting outdoors and their chosen medium.
Painters may work in any medium, but Michael will work in oil or pastel.
For the retreat, group lodging is included that has cooking facilities so participants may make their own meals. Artists are expected to stay at the lodging to ensure an "immersion" experience in which painting is talked about in casual conversation, and impromptu demonstrations, outings or group critiques may result.
This is not a workshop with formal instruction, but Michael will demonstrate daily and offer end-of-the-day critiques. Michael will also guide you to some of Sedona's prime painting spots.
Michael's Thoughts on Workshops
What's the best way to fast-track your painting skills? Some seem to think that taking lots of workshops is the way. But no, that only makes you more educated, not more skilled. Especially if that's the only time you paint.
The best way to improve your skills is to practice outside of a workshop. A cellist doesn't get better at playing Bach's solo cello suites by reading textbooks and listening to recordings; he gets better by playing. Sure, the cellist needs feedback, and that's why he works with a cello teacher. But every cellist knows that the cello lesson isn't the only time you practice!
It's the same with painting. You can watch all the videos, read all the books and take all the workshops - and get a virtual MFA in the process - but it's not going to make you a better painter unless you practice on your own.
There's a type of student we painting instructors call "workshop junkies." These are students who take workshop after workshop and build up a formidable warehouse of painting knowledge, but who rarely paint outside a workshop. They don't have time, because they are busy travelling and taking workshops. These students have so many different ideas about how to paint that they've picked up from so many different instructors that they don't know which end is up.
Here's what I recommend. Treat yourself to one real workshop a year, just one. Pick a painter whose work you like. Check around to see if he's a good teacher. (Some pretty good painters aren't.) Read through his material - his book, a magazine article he wrote or his teaching philosophy on his website - and see if he's on a path you want to go down.
Then, take the workshop. Be humble, and listen. Ask lots of questions. Take notes. Listen some more. During the workshop, try to incorporate what you've learned as you paint. Finally, don't take another workshop for a year. Just go out and paint, and remember what the teacher said. If you found it valuable, use it; if not, discard it - but don't stop painting.
Sedona is 2 hours (121 miles) by car from the Phoenix Sky Harbor airport (PHX). It's an easy drive, mostly in Interstate 17. Here's the map from Google:
By the way, if you are renting a car, know that it is expensive to rent a car at the Phoenix airport. It is much cheaper to rent one in Sedona or Cottonwood. You can take a shuttle from Phoenix to Sedona or Cottonwood to pick up a car. Shuttle: http://www.sedona-phoenix-shuttle.com/
Oil paints you can either ship ahead or put in your checked luggage. You shouldn't have any problem with them, since they are "artist's oil colors" made with vegetable oil and have a very high flash point. However, don't take mediums (e.g. Liquin) or solvents (e.g. Turpenoid), all of which are highly flammable. These you will need to ship ahead or purchase at Sedona Art Supply. (Michael will have a quantity of Turpenoid available at the studio.) For details on traveling with paint, see Robert Gamblin's Studio Note #14.
Pastels you should take in your carry-on luggage.
Put them in a container that will be easy for security to open, such as the Heilman
Pastel Box. Make sure the container can be easily secured again so your
pastels don't go spilling down the aisle.
If you need to ship your materials ahead, you are
welcome to - just let us know.
Sedona sits in a valley at 4,300 feet, halfway in elevation between the Colorado Plateau to the north and the Sonoran Desert to the south. It has a generally mild climate. Nighttime temperatures may dip below freezing in winter with occasional snowfall on the surrounding mountains. Days are often bright, sunny and not too cold. It makes for great hiking and painting weather! We may have a cool start to the morning, so you should bring layers, plus a warm hat and gloves you can paint with.
Av. High
Av.Low
Av. Rainfall
Av. Sun
Nov
65°F
37°F
1.3 in
76%
Dec
56°F
31°F
1.7 in
74%
Jan
55°F
30°F
1.7 in
77%
Feb
59°F
32°F
1.5 in
73%
Mar
63°F
35°F
1.7 in
76%
Apr
72°F
42°F
1.2 in
83%
5.
What if I'm not doing oil or pastel but using some other medium?back to questions
One of the great things about plein air painting is that you can work in almost any medium. Michael will use oil or pastel, but you may use acrylic, watercolor or gouache. Michael teaches painting principles that apply to all media.
We'll be meeting in the mornings either in West Sedona or in Uptown Sedona. Although Sedona isn't very big, try to avoid staying in the Village of Oak Creek (VOC.) VOC, on Route 179 and near I-17, is considered part of Sedona, but it's about 5 miles out and can be a very slow drive.
There's lots of lodging in Sedona. Below are some suggestions.
Then there are traditional hotels and motels and all other types of accomodations listed through the Chamber: http://www.visitsedona.com/article/71 This list is very comprehensive!
If you have particular lodging needs, we'll be happy to discuss options with you.
The
workshop consists of four days (Tuesday-Friday unless otherwise noted.) Two
days are "long" and run 9-3; two days are half-days and run 9-1. Tuesday
and Thursday are "long" days, and Wednesday and Friday are half-days.
You get 20 hours of instruction. Each day, we meet promptly at 9. By agreement,
we may meet at other times.
We
recommend that you take advantage of your stay in Sedona and fly in on Saturday
or Sunday to give you a couple days in which to explore the area before the
workshop. Not only will this give you time to become acclimated to the somewhat
higher altitude, it will give you time to become familiar with the "motifs"
of the area - the beautiful red rocks, the cottonwoods and sycamores, and the
rushing waters of Oak Creek.
Yes! Sedona is a full-service community, and you'll find that many locations have wi-fi. Certain restaurants, most coffee shops and the public library have it.
Landscape
painter Michael Chesley Johnson was named a Master Pastellist of Pastel Artists
Canada in 2008. In addition, he's a Signature Member of both the Pastel Society
of America and the Pastel Society of New Mexico and a juried member of Oil Painters
of America. He's the author of Backpacker Painting: Outdoors with Oil &
Pastel, Through a Painter's Brush: A Year on Campobello Island and The Art of Ann Templeton. A regular contributor for The Artist's
Magazine, The Pastel Journal and Watercolor Artist, he is a popular
workshop instructor in both the US and Canada. He has been invited six times
to the prestigious Sedona Plein Air Festival. His partner and workshop facilitator
is Trina Stephenson. For more, please see his website: www.MichaelChesleyJohnson.com and A Plein Air Painter's Blog at http://mchesleyjohnson.blogspot.com.
11. Where
can I get more information about the Sedona area? back
to questions
13. What's a good way to prepare for
the workshop? back to questions
One of the
best ways, of course, is to simply - paint! William F. Reese said, "If
you paint 3 days a week, you stay the same; if you paint 4, you will improve."
I also recommending reading some good books on plein air painting. If you've not painted en plein air or outdoors before, I recommend
my online course, Prepare
for Plein Air.
Of course!
We've arranged the schedule so the weeks make a natural progression, from basic
to advanced to mentoring. You can take one week - or several!
As noted
above, the workshop runs Tuesday-Friday unless otherwise noted. Tuesdays and
Thursdays are "long" days that run 9-3. Wednesdays and Fridays are
half-days that run 9-1. The "long" days allow for longer demonstrations
and more student painting time. The half-days give you afternoons to either
paint more on your own or to explore the area.
We have two supply lists, one for oil and one for pastel. If you are working a different medium, just bring whatever you usually use for outdoor painting, unless you're taking the optional advanced option in a mentoring workshop. You also might just look at the supply lists to get an idea of what else you might bring, such as umbrellas, etc. Click here for the oil supply list. Click here for the pastel supply list.